Fresh Blood: Broods

broods-650-430Broods

If you haven’t heard ‘Never Gonna Change’, or ‘Everytime’, from their debut record Evergreen, that needs to change. New Zealand synth merchants Broods sound dwells within sultry electro pop – with strains of Chvrches and Lorde, with whom they also share their current producer, Joel Little.

Leave your opinion in the comments.

ALBUM REVIEW: This Year – Ask

This Year

Ask 

The fact that this is an old school blues album recorded in the middle of the flower farm just makes it that much cooler, really. And it really is old school too – the ringing strums of electric guitar, the solid and curling vocals set above the popping bass – it’s all a bit early 70’s.

 

Written, recorded, mixed, mastered, produced – whatever else goes in there – by the band themselves, Ask is a surprisingly smooth release for being recorded in a shed. The songs are carefully constructed, rarely stepping a toe out of line, except for the occasional swerving guitar solos. This is in many ways an old record, but recorded with a new ear.  

 

Even more than that, there are some great tracks here: opener ‘Ask’ jumps out of the gate with a hopping drum line and a nice chorus hook. ‘What’s In A Name’ relies on a swaying backbeat and low, thrumming bass line to take things down a notch. “Eliza Jane” goes a bit California Americana, and ‘I’ll Be Back Someday’ has probably the sweetest opening lick of the album. There are only a couple of misses – ‘Angel’ doesn’t have the kick of the others, and ‘You’re On A Ride’ only really gets going at the solo.  

 

The lyrics, whilst pretty simplistic, do the job – and who really listens to a blues/rock album for the lyrics anyway? What really kicks about this is that it’s easy – it doesn’t demand much in the way of a cerebral workout to listen to it, and it shouldn’t. 

Probably more than anything, Ask, is just a great listen, brimming with musicianship and some thoroughly good sounds.  

 Rating: 7.0/10 

the big list: the best in music for 2013

End of year lists are pretty much…the best part of the year. So here’s our (heavily biased) idea of what happened in music in 2013: 

Album of the Year:

(the nominees…)

 – Haim : Days Are Gone

– Kanye West : Yeezus 

– Arctic Monkeys : AM

– Arcade Fire : Reflektor

– Disclosure : Settle

– Jagwar Ma : Howlin’

– Rudimental : Home

– Tegan And Sara : Heartthrob

– Laura Marling : Once I Was An Eagle

– James Blake : Overgrown 

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WINNER: Haim – Days Are Gone 

 

 

 

 

 

 

 

 

 

 

 

 

Record Of The Year:

(nominees…) 

– “Royals” – Lorde

– “Days Are Gone” – Haim

– “The Wire” – Haim

– “When A Fire Starts To Burn” – Disclosure

– “Latch” – Disclosure

– “Black Skinhead” – Kanye West

– “Blood On The Leaves” – Kanye West

– “Still Into You” – Paramore

– “DNA” – Empire Of The Sun

– “Master Hunter” – Laura Marling

– “Reflektor” – Arcade Fire

– “R U Mine” – Arctic Monkeys

– “I Knew You Were Trouble” – Taylor Swift

– “Q.U.E.E.N.” – Janelle Monae ft. Erykah Badu 

WINNER: Haim – “The Wire” 

Gig of the Year:

– Tegan And Sara – Sydney Opera House

– Lorde – Splendour In The Grass

– Laura Marling – Splendour In The Grass

– Haim – Splendour In The Grass

– Alison Wonderland – Splendour In The Grass 

– Black Rebel Motorcycle Club – The HiFi 

– James Blake – Splendour In The Grass 

WINNER: Tegan And Sara

(Honourable mention to Alison Wonderland, for delivering the most badass/hectic DJ gig this year)

Best/ Weirdest/ Freaky Music Video of the Year: 

– “Bound 2” – Kanye West

– “Wrecking Ball” – Miley Cyrus

….actually that just about covers it.

WINNER: Miley Cyrus…for making demolition work thoroughly traumatising. 

Biggest Musical Fuck Ups of 2013

– The One Direction Movie

– Festivals Cancelling (that’s you Harvest…Homebake)

– Bottle throwing at gigs (it’s not cool, see Azealia Banks) 

WINNER: The One Direction Movie

Biggest Musical WTF?? 

– Miley Cyrus

….there’s no need for any other nominees. 

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…yep. 

 

Breakthrough Artist

– Haim

– Lorde

– Jagwar Ma

– Vance Joy

WINNER: Lorde

Quote of the Year:

“Now is an important time not to Google myself.” – Miley Cyrus 

 

Let us know what you think (i.e. we want your outrage.) 

 

 

New Single: Matt Corby – Resolution

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Matt Corby

Resolution

Matt Corby, of the wild wolf screams and paper-thin falsetto fame, is set to release his highly anticipated debut record later this year.

At first glance “Resolution” is classic Corby: hushed acoustic picking lying steady under Corby’s pillowy vocals. But it’s the addition of the clattering afro-drums and gospel claps that turn “Resolution” from a skeleton into a fully fleshed out being.

BREAKING BAND: Haim

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Haim

Falling

The leather wearing, guitar slinging, California slacker sisters Haim* may look like they’ve just broken out of St. Trinians, but at least they can craft one hell of a tune.

Courting a median age of 23, sisters Alana, Danielle and Este topped the BBC Sound of 2013 list – a huge indicator of impending world domination (Adele topped 2008’s list, for example.) Single “Falling” name checks everyone from Fleetwood Mac to Destiny’s Child, chopping up wistful harmonies over some heavy, scattered percussion. It’s a big single that may just be worth the hype.

haim

 

Haim will play Splendour In The Grass in July.

*Pronounced ‘Hime’ not ‘Haym’

 

Daft Punk return with disco jam “Get Lucky”

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Daft Punk ft. Pharrell Williams

Get Lucky

You might not expect the new track from French electronic duo Daft Punk to be an old school disco ode – but that’s exactly what it is.

Featuring Pharrell Williams on vocals, the track has more in common with Earth, Wind & Fire than “Around The World”, with sleek synth lines and a jaunty melody. But lord, it’s nice they’re back.

Beyonce returns with bruising new single “Bow Down/ I Been Done”

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Beyonce 

Bow Down/ I Been Done

Probably the most telling lyric of “Bow Down/ I Been Done” comes before the minute mark, where Beyonce sneers ‘I took some time to live my life/ But don’t think I’m just his little wife.”

In fact, if you had any ideas about abandoning Beyonce for another pop diva, this hard and fast cut from her upcoming LP Mrs Carter will sort you out quickly – pitch altered raps compete with slick vocals above the chewiest, most screwed up beats that producer Hit-Boy could muster up.