Caress Your Soul
Some sounds are made for warm afternoons spent lying on grass, chewing on a stem of wheat, watching clouds roll across the big blue. Rage Against The Machine and Pendulum don’t fit this bill, but Sticky Fingers sure do.
Having firmly established themselves as one of the hardest-touring acts in the country, the question remained of whether the Sydney band could translate their brand of supple psyche reggae into studio magic.
With production overseen by Dann Hume (the go-to indie guy behind Lisa Mitchell, Alpine and Gossling), Caress Your Soul is a mellow fusion of lo-fi reggae jams with killer hooks hidden beneath its loping gait. The bouncing, interlocking rhythms supplied by the drums and bass skilfully avoid any downtempo quagmires that dub music often becomes ensnared in.
There are handy flashes of experimentation too – opener “How To Fly” stretches out some washy keyboard drones before the bass thumps in and everything is hosed down with reverb. “Freddy Crabs” goes one further with shimmering synths, looped vocals and a hefty psychedelic bent.
Most of the time though, Caress Your Soul deals in warm, languid reggae. Standout cut “Bootleg Rascal” sways heavily atop a thick bassline and delivers a sleek, liquidy guitar solo. The title track (which snagged number 61 in the Hottest 100), comes straight after and goes for the pop jugular, upping the beat and abandoning the laid back pulse for a frenzied jam. Likewise, “Clouds And Cream” seems ready made for the stoner dance floor. “Australia Street” and “These Girls” come off a little half-baked, lacking the vibrant array of colours of the surrounding tracks.
Light and dreamy but with considerable depth, Caress Your Soul reads like a Sunday afternoon – full of warmth and soul.
Caress Your Soul is out now.