Band of Horses- Mirage Rock

Band of Horses

Mirage Rock

(Columbia Records)

On the opening track on Band of Horses fourth record, Ben Bridwell rides above the clanging guitars and sings of a ‘Ramshackle crew with something to prove’.

After the mixed reactions to their last release (2010’s Infinite Arms- their first release on a major label), it’s a fairly true statement for the Seattle band, who this time teamed up with mega producer Glyn Jones (The Rolling Stones, Bob Dylan) to craft their fourth record.

Mirage Rock is BoH at their most refined- big slabs of riffs and ringing cymbals rub shoulders with pedal steel ballads, commanded by Bridwells earnest nasal twang. Lead single “Knock Knock” races towards a big finish of crashing drums and harmonies, and is Mirage Rock‘s biggest moment.

In their quieter moments, on tracks like “Slow Cruel Hands of Time” and “Long Vows”, BoH trade chanting harmonies over spindles of guitar and organ. Jones’ influence also shines through on “Electric Music”, which plays like an homage to the Stones mid seventies.

At times ringing with Americana (“Everything’s Gonna Be Undone”), before falling into dreamy rock (“Feud”),the sound is unmistakably Band of Horses, distilled to a single malt.

It may lack a big, defining track of previous albums (“Is There A Ghost” of 2007’s Cease To Begin) but Mirage Rock is Bridwell and his crew at their fullest and finest.

Key Tunes: “Knock Knock”, “Slow Cruel Hands of Time”, “A Little Biblical”

If you like this, check out: My Morning Jacket, Fleet Foxes

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Lisa Mitchell goes a little crazy

Lisa Mitchell, “Bless This Mess”

Bless This Mess

 

The title track of Lisa Mitchell’s upcoming record (due out October 12) is in the same vein as earlier single “Spiritus”, a heady rush of a pop track brimming with positive vibes.

Mitchell throws her delicate voice over a roaring backing of cymbals and toms, before racing to a huge bridge and finish that wouldn’t sound out of place in a Killers song.